Introduction

Wassily Kandinsky (1866-1944) was a Russian-born artist ~~and~~who was actived in ~~the~~ Central Europe, ~~in Germany in particular, where he reached his apogee~~particularly in Germany, where he reached the peak of his artistic career in both in painting and in art writing. CHe is considered a~~s a found~~ pioneer of abstract art~~, Kandinsky exclusively be mentioned in discussions of the early abstract painting, especially those bear correspondence with~~ and is often discussed in early abstract painting conversations, particularly those related to music. This chapter will ex~~amin~~plore how musical principles ~~affect~~influenced Kandinsky's abstract paintings and how they served as a means for him to ~~emulat~~capture the spiritual ~~power~~essence of music in ~~painting.~~ his art.

Kandinsky was ~~involved with music in a variety of~~deeply connected to music in many ways, including a close friendship with ~~the~~ composer Arnold Schoenberg (1874-1951)~~, whose~~. Schoenberg's music reinforced Kandinsky's belief in abstraction and encouraged ~~Kandinsky to make~~him to turn this belief in ato reality. Th~~e relationship~~is connection between abstraction and musical ideas is ~~affirmed~~evident in Kandinsky's paintings such as Impression III ofrom 1911, and Composition VIII ofrom 1923. These two paintings ~~come from main series paintings of Kandinsky: impresses and compositions. They also mark two~~represent two different phases of Kandinsky's abstract painting journey: his early experiments and mature work~~, and therefore provide a trace of~~. They provide insight into the impact of music ~~had~~ on Kandinsky's abstract creation and how this relationship dev~~elop~~olved over ~~the~~ time.

Kandinsky's theories of art also play an important role ~~dur~~ing theis discussion ~~for Kandinsky perhaps more th~~. Unlike many other artists, ~~gave written accounts of~~Kandinsky wrote extensively about his artistic development throughout his life. ~~Moreover, there are special associations existed~~There is also a strong connection between his theories and works of art. ~~While t~~The series ~~paintings~~ of improvisations ~~demonstrate hi~~represents Kandinsky's "On the Spiritual in Art" by ~~representing Kandinsky'~~showcasing his subjective impressions, ~~the works of~~while the compositions aim to reform~~, to build up~~ reality by using its essential elements~~, participate with~~ of Point, Line, and Plane. NHowever~~theless, they all governed by '~~, all of Kandinsky's works were governed by the principle of "inner necessity'," or the spirit. For Kandinsky, wh~~atev~~ether figurative ~~representation or abstract expression '~~or abstract, "All methods are sacred if they are internally necessary. All methods are sins if they are not justified by internal necessity.' "

Kandinsky's New wWorld vVision and New Way ofor Painting: Musical Abstraction
Kandinsky believed that each per~~iod of time~~a should have ~~an art that 'specific in it',~~its own unique form of art that never repeats the past and never re~~born~~surrects it. This belief led him to se~~arch for~~ek a new language and ~~new~~ format for art. In the innovative ~~climate of the first two decades of the twentie~~environment of the early 20th century, the scientific ~~event~~discovery of the atom's disintegration ~~of the atom powerfully changed~~had a profound impact on Kandinsky's ~~conceptions~~view of the visible world and its substance. The ~~tradi~~conventional knowledge ~~had been destroy~~was shattered by advanced science:, revealing that what the eyes see weare mere illusions that joined together ~~only~~ by chance.

Kandinsky ~~once explained that he~~ felt as ifthough the thickest walls ~~were~~had suddenly c~~ollaps~~rumbled and a stone had melted in midair–, leaving everything ~~grew~~ invisible.

~~As a result, t~~ The traditional view of the universe was radically ~~altered and revealed an invisible~~transformed, uncovering an unseen mystery world beneath the visible world. When ~~the knowledge obtained by direct and detailed~~direct observation could not ~~offer the whol~~provide the complete truth of reality, Kandinsky questioned the physical appearance of substances ~~by penetrating into the realm of~~and ventured into the unknown. ~~The~~

His distrust of conventional knowledge ~~urg~~led heim to search for new values and meanings toin life. FHe was fascinated by ~~explorations of~~ the unknown field of the cosmos and the unseen world of passion and thought, ~~Kandinsky began~~inspiring him to produce ~~his~~ work ~~in a manner which was never imitative~~that was never imitative.Kandinsky's theories of art are also important in understanding his work.